Through the use of photoshop pixilation and elongation of specific sections within a graffiti peice the way in which the viewer recieves the final images in contrast to the orginal images is far more prolific than just a shift in aesthetics; the image no longer holds the identification of graffiti thus removing the burden of being viewed negatively.
From the colour pallet found within the pixels iv removed all asosiation exept the mediem of srpaypain and the pallet creating a hole new peice to be produced as a saleable product.
The images elicit and provoce acceptance as digital peices presenting them selfs not as graffiti but as peices created from graffiti alowing the vuewer to aknoage them as digital art aims to dissregard the iligality of the originnal creation
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